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Additional resources for Aerokurier 1. Aus der Technik-Geschichte des deutschen Flugzeugbaus
At the same time, he follows another aspect of Ruskin’s thought: his insistence on the necessity for the artist to render the ‘truth of impression’. For Proust repeatedly weaves around Ruskin’s text a record of his own impressions of the cathedral, thus re-inscribing it within a different sort of language of ﬁgures. 44 Cambridge Companions Online © Cambridge University Press, 2006 Ruskin and the cathedral of lost souls We can see an example of this re-inscription in Proust’s lengthy discussion of the statue of the Vierge Dorée at the south portal of the cathedral.
This arduous work, entailing the study of French history, geography, architecture and the Bible, proved crucial to the development of Proust’s own style and aesthetics. 9 The beginning of the preface, with its shifts in time and place, is an early sketch for the ﬁrst paragraph of the Search, where the Narrator in bed, falling asleep while reading, is uncertain of where he is, who he is, and even what he is, since in his slumbering state he confuses his own identity with that of the book he is trying to read.
Will also cease, because of the erosion of the stones which it gracefully scatters . 15–16) Here Proust presents the same paradox of the survival of an artist’s thought despite the disintegration of the material in which it is expressed – summed up in the oxymoron of the ‘medieval springtime’, and rendered vivid in the image of the crumbling stone of the roses and of the Virgin’s smile. Proust ﬁnds the ‘gay soubrette’s smile’, which Ruskin had regarded as a defect, to be a mark of the Virgin’s individuality that allows him to love her as a person.
Aerokurier 1. Aus der Technik-Geschichte des deutschen Flugzeugbaus by Группа авторов